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11:59 am
March 20, 2012
OfflineI'm not sure what sort of 'universal' mount is in the works for the Digital Bolex (perhaps it is similar to the Ikonskop universal mount?). Anyhow, I use to own a Eclair ACL 16mm camera, and that camera actually had one of the best universal mounts I had seen.
Basically, if you can imagine instead of your typical c-mount on the front plate of a camera that is just a threaded hole into the face plate, the Eclair ACL body and front c-mount had ... how can I describe this? ... it was a bit like a threaded donut of a plate. If you can imagine that the donut hole in the center of the plate contained the threaded c-mount (inner threads), and the very generous 'body' of the donut was threaded (large outer threads) to accept other mounts on top of it. So, when you 'screwed' an adapter (like a PL mount, Arri b-mount, Nikon mount, or Aaton mount) on to the outer threads, it made for a very robust connection (as the adapter wasn't just screwing into the small c-mount opening, but the much larger circumference portion of the outer threads -- this larger outer circumference also contained about six screws holding the plate onto the body of the ACL -- again, making it very secure, as well).
Anyhow, if you go to the page of the link below:
http://www.filmcamerakit.com/h.....aptors.htm
... and scroll down to the "Eclair ACL Adaptor" on that page, you will see one of these robust ACL adaptors that screws onto the c-mount face plate I am describing above. If you look at the image, you will notice a very robust back ring, that is basically threaded in the inside, and that turns and secures onto the threaded 'body' of the ACL c-mount face plate, again, as being describing above. Also, on that same page, right above the Eclair ACL Adaptor image, you will see a C-Mount Bolex Bayonet adaptor. Looking at the two pictures, you can see how fragile and un-robust the C-Mount Bolex Bayonet adaptor is compared to the Eclair ACL Adaptor. This is because it just consists of a tapered funnel like design, which in the end, just gives you a very small set of threads just the size of the c-mount hole. And this clearly will not support a heavy pl-mount or b-mount lens.
Two other cool things about the above ACL design:
1) you don't have to use any screws to mount the additional mounts you have on top of the c-mount (there is a set pin, and you just screw them on) ... flange focal depth in sound, as well.
2) If you want to use the original c-mount, you quickly just unscrew the outer mount to reveal the original c-mount. Again, no removing a additional face plate and re-screwing another face plate in, etc. The same holds true for going from a Pl-Mount adaptor or a B-mount adaptor: just unscrew the outer mount, and screw in a new mount ... takes a few seconds and no shimming required.
Anyhow, if the face plate and mount for the Digital Bolex are still in the planning stage, you may want to look at the above configuration. Again, it is very simple, strong and sound solution.
-T
p.s: if the above description seems a bit confusing, let me know, and I will try to track down some more pictures of the design.
1:33 am
Camera Owner
February 28, 2012
OfflineHi Avisual,
This sounds really interesting, I will send your post to our engineering team and see what they say.
We are planning on having a large front section of the camera on a tight rail system with two locking screws, one at the top of the camera, and one at the bottom, so you can replace the entire front end of the camera.
This also allows for really being able to get in there to clean the sensor.
I will pass it on though.
Thanks for your suggestions, Joe
4:07 am
Camera Owner
February 28, 2012
OfflineRazz16mm said
What provisions if any will there be for back focus adjustment?
Hey Razz,
We are planning on having a technician level adjustment bracket for the sensor, and check each one before it goes out.
Do you think it's necessary to have a user level adjustment? I am worried people will mess with it too much.
Since this isn't an S35mm camera the depth of field isn't as critical, do you think it will be a big deal if it isn't adjustable by the user?
What percentage of users do you think would use this?
How often would they use this?
Thanks for your input! Joe
8:49 am
March 27, 2012
OfflineBack focus is extremely critical for very short focal length lenses. For many of us using vintage lenses, if there is no user adjustment we will have to take the camera and our lenses to an optical shop and have the lenses collimated to the camera. An example from my own collection is a 3.5mm Century fish-eye for 16mm which will convert to PL mount. With PL mount film cameras back focus is often deliberately set a few thousandths short to insure that all lenses will focus to infinity and optical shops shim the lenses to match spec and align the distance marks correctly.
Actual back focus depth for new industrial c-mount lenses that many people will want to use varies significantly. Industrial and security cameras all have some form of adjustable back focus.
8:03 pm
March 20, 2012
OfflineHey Joe,
So, your idea is that the additional mounts you will be manufacturing would consist of this large front end section of the camera. So basically, the alternate mount would just require swapping this whole piece (face plate and new mount) for each additional mount you wanted to use (PL, Aaton, Arri B-mount, etc)? That seems like it could work and be very sound, too.
Let me know what the engineering team thinks and comes up with.
Thanks,
-T
3:46 pm
Camera Owner
Kickstarter Backer
April 7, 2012
OfflineRazz16mm said
Back focus is extremely critical for very short focal length lenses. For many of us using vintage lenses, if there is no user adjustment we will have to take the camera and our lenses to an optical shop and have the lenses collimated to the camera.
Yes agreed. And vintage lenses are gonna be popular with this cam I think.
Joe: I too think it's a big deal.
I don't see people messing with it since a part of owners won't necessarily know what back focus is. People who know what back focus is will hopefully know what they're doing. And we'll be happy to have that option.
I think you're trying to put out there a pro camera and if people *want* they'll always find ways to mess with something so this is the part where you "let go"...
This is a delicate equipment and they should know it's their responsibility if they mess with the insides.
4:56 pm
Camera Owner
Kickstarter Backer
March 18, 2012
Offlineanaloggab said
Razz16mm said
Back focus is extremely critical for very short focal length lenses. For many of us using vintage lenses, if there is no user adjustment we will have to take the camera and our lenses to an optical shop and have the lenses collimated to the camera.
Yes agreed. And vintage lenses are gonna be popular with this cam I think.
Joe: I too think it's a big deal.
I don't see people messing with it since a part of owners won't necessarily know what back focus is. People who know what back focus is will hopefully know what they're doing. And we'll be happy to have that option.
I think you're trying to put out there a pro camera and if people *want* they'll always find ways to mess with something so this is the part where you "let go"...
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This is a delicate equipment and they should know it's their responsibility if they mess with the insides.
I agree... I know some of the angenieux retrofocus lenses are back focus. The demand is small but it is there.
5:07 pm
Camera Owner
February 28, 2012
Offline12:38 pm
Camera Owner
February 28, 2012
OfflineOK I talked to the design team.
I think we are going to have a sealed door over the back focus adjustment so if you break the seal you void your warranty.
I know this is probably not what you guys want ideally, but I think this is a good compromise, you can get in there if you really want to, but protects us against people going in and messing with it then returning their "broken" camera if you know what I mean.
I am interested in your comments though. Better solutions to this problem?
Thanks, Joe
3:07 pm
March 27, 2012
Offlinejoerubinstein said
OK I talked to the design team.
I think we are going to have a sealed door over the back focus adjustment so if you break the seal you void your warranty.
I know this is probably not what you guys want ideally, but I think this is a good compromise, you can get in there if you really want to, but protects us against people going in and messing with it then returning their "broken" camera if you know what I mean.
I am interested in your comments though. Better solutions to this problem?
Thanks, Joe
Probably the best compromise for now since many using this camera may not have the necessary gear and training to mess with it anyway.
May make using some of the industrial C-mount lenses a bit risky as they don't always conform to the C-mount film standard.
5:13 pm
Camera Owner
February 28, 2012
Offline11:41 am
Camera Owner
Kickstarter Backer
March 18, 2012
Offline5:43 pm
Camera Owner
February 28, 2012
Offlinehieber said
Hey joe, could you tell us more about the lenses that you plan to make? Primes? Or zooms?
What coverage will they have?
And what coatings will they have?
Hi Hieber,
I can't say too much about them right now, but I'll say a little. They will be primes, at least the first set, they will be C-mount, and cover S16mm, and they will have the sharpness and quality of lenses 4 times their price
As soon as I can I will let you guys know more, and I will as always ask for your advice and thoughts.
Thanks! Joe
9:48 am
Camera Owner
Kickstarter Backer
May 8, 2012
Offline1:48 pm
Camera Owner
Kickstarter Backer
March 18, 2012
OfflineGoing back to the back focus... I've been playing with a canon cctv zoom and the 10mm angenieux retro focus on a GH2. The zoom lens I can adjust directly from the lens it has an adapter that screws on and off where you can lock it down exactly at the back focus length you want before going to the adapter. The angenieux retro focus... you can get macro/close up shots by loosening the lens from the mount... Certainly not the best option to have the lens loose on the mount but I'd rather that then voiding your warranty.
3:45 pm
March 27, 2012
Offlinemrbrianmorgan said
Going back to the back focus... I've been playing with a canon cctv zoom and the 10mm angenieux retro focus on a GH2. The zoom lens I can adjust directly from the lens it has an adapter that screws on and off where you can lock it down exactly at the back focus length you want before going to the adapter. The angenieux retro focus... you can get macro/close up shots by loosening the lens from the mount... Certainly not the best option to have the lens loose on the mount but I'd rather that then voiding your warranty.
I am more concerned that lenses focus to infinity, especially extreme wide angle lenses like the Century 3.5mm fisheye. Shorter the focal length the more critical and narrower the back focus depth is. But getting your lenses collimated so that they all focus to infinity at the correct reference depth is better anyway.
3:45 pm
March 27, 2012
Offlinemrbrianmorgan said
Going back to the back focus... I've been playing with a canon cctv zoom and the 10mm angenieux retro focus on a GH2. The zoom lens I can adjust directly from the lens it has an adapter that screws on and off where you can lock it down exactly at the back focus length you want before going to the adapter. The angenieux retro focus... you can get macro/close up shots by loosening the lens from the mount... Certainly not the best option to have the lens loose on the mount but I'd rather that then voiding your warranty.
I am more concerned that lenses focus to infinity, especially extreme wide angle lenses like the Century 3.5mm fisheye. Shorter the focal length the more critical and narrower the back focus depth is. But getting your lenses collimated so that they all focus to infinity at the correct reference depth is better anyway.
5:15 pm
Camera Owner
Kickstarter Backer
March 18, 2012
OfflineRazz16mm said
mrbrianmorgan said
Going back to the back focus... I've been playing with a canon cctv zoom and the 10mm angenieux retro focus on a GH2. The zoom lens I can adjust directly from the lens it has an adapter that screws on and off where you can lock it down exactly at the back focus length you want before going to the adapter. The angenieux retro focus... you can get macro/close up shots by loosening the lens from the mount... Certainly not the best option to have the lens loose on the mount but I'd rather that then voiding your warranty.
I am more concerned that lenses focus to infinity, especially extreme wide angle lenses like the Century 3.5mm fisheye. Shorter the focal length the more critical and narrower the back focus depth is. But getting your lenses collimated so that they all focus to infinity at the correct reference depth is better anyway.
Okay, I haven't really gotten into the fisheye photography much. But that probably would be a better option. I wonder how this camera would hold up underwater with a proper casing made.
9:48 am
Camera Owner
Kickstarter Backer
March 19, 2012
OfflineOther cameras manage to have a user adjustable (albeit advanced user) back focus so why should we have to void our warranty to do necessary lens calibration? I'm sure most "cine" lenses will not require adjustment but, as was pointed out earlier, part of the allure of this camera is being able to mount many different types and vintages of lenses. Cine lenses are expensive and many people will be experimenting with all types of "eBay glass." If we have to break a seal and void our warranty to make these lenses focus properly then I feel that is going back on one of the fundamental principals that made this camera so attractive to low/mid budget filmmakers in the first place.
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