What Camera Moves You?

Many independent and big-budget filmmakers find themselves in a special dilemma when shooting car chases, crashes, and fast motion scenes—forced to resort to unflattering wide-angled cameras to get into tight corners, excessive rigging or camera cars to keep jello at bay, and warping stabilization filters to fix unavoidable slanting and fisheye. In this spot, done with no post-stabilization or motion … Continue reading